Prince Faggot

6 Lortel Nominations

Including Outstanding Play and Outstanding Director!

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Vogue Feature

“The Women of Prince Faggot Find Their Light”

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NYT Feature

“The Play Is Fiction, but Their Monologues Are (Partly) Their Own”

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LA Times

“Characters are breaking the fourth wall to confront and galvanize audiences”

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New York Times Critic's Pick, Jessie Green

“If the playwright means to shock, mission accomplished. But here’s the real shocker… The play is thrilling.”

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Cosmopolitan, Maxwell Losgar

“If you’re on the prowl for a horny, thought-provoking play that’s as academic as it is avant-garde, Jordan Tannahill has written just the script for you!…Sharp, emotional, and perfectly timed…a powerhouse cast.”

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Interview Magazine

“Jordan Tannahill Tells Tony Kushner How He Wrote the Year’s Wildest New Play”

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Brontez Purnell

“Refined, reflective, whip smart, and endearing.”

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Into, Jude Cramer

“Quick-witted and insightful in equal measure. If we’re lucky, Prince Faggot marks the beginning of a breakout for Tannahill in New York’s theater scene — his is a voice that deserves to be heard on as many stages as possible.”

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Hari Nef

“Prince Faggot is a show of Faggotry blazed to her hungriest, most dazzling ends…When Faggotry calls, Tannahill answers. He hoists her up, paints her fierce, tells her what to say, and walks her–leashed–onstage to lend us new ways of seeing, feeling, and hearing.”

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Gay City News, David Kennerley

“All performances are first-rate…the production design is superb.”

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The Queer Review, James Kleinmann ★★★★★

“Shayok Misha Chowdhury’s direction keeps things tight, dynamic and riveting…Prince Faggot is funny, penetrating, raw and provocative. It also manages to be tender and thought-provoking, while leading somewhere truly unexpected and moving.”

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Off Off Online, Edward Karam

“rich and engaging… by turns funny, sad, sweet, and daring”

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The Wrap, Robert Hoefler

“One of the Year’s Best New Plays is a Wild Royal Family Portrait.”

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TheaterMania, Zachary Stewart

“Beautifully rendered…Boundary-pushing…It makes the audience feel like family.” 

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The Daily Beast, Tim Teeman

This is not a play about Prince George’s sexuality or the royal family at all, but those marginalized and long considered to be without power finally, proudly, exercising and voicing it.” 

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New Yorker Summer Preview

“Jordan Tannahill débuts a metatheatrical queer-futurist manifesto”

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NYT 13 Off Broadway Plays to See in June

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New York Magazine Summer Preview

“What happens if the heir to the throne is… well… you know? Jordan Tannahill’s play, set in the very near future, asks how queerness intersects with the very core of colonial power. Though it’s hard to imagine how that will all play out in this production, a team-up of the Soho Rep and Playwrights Horizons that the producers are calling a “meta-theatrical satire,” it’ll be directed by Public Obscenities’s Shayok Misha Chowdhury with a queer, trans, and nonbinary cast that includes expert performers like K. Todd Freeman and David Greenspan.”

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Vulture's 18 Plays We Can't Wait to See in 2025

“As the Soho Rep moves in uptown with Playwrights Horizons, the two theater companies are collaborating on a project surely designed to get people talking: Jordan Tannahill’s play about a future monarch who happens to be a … well, the word’s in the title. (We’re getting far more explicit than Red, White & Royal Blue here.)”

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