Montag

Alexis Soloski, The New York Times

“A hymn to female friendship. It’s exciting, this theater as jigsaw, and there’s satisfaction as each piece snaps together. Malouf infuses Novella with an unvarnished sensuality and a party-at-the-end-of-the-world abandon…Venturi’s Faith holds herself more tightly, a jittery presence still trying to juggle odds.”

Zachary Stewart, Theatermania, Editor's Pick

“We want to see more as the tension builds over 90 strange and fascinating minutes. Horror, comedy, and operatic majesty coexist on the same stage…breathtaking…it holds us rapt and slack-jawed.”

Sandy MacDonald, New York Stage Review

“A coup de theatre the likes of which we haven’t seen since Soho Rep’s An Octoroon in 2014. Welcome back to edgy avant-gardism! This intriguing production signals an all-clear: it’s time to emerge from our own post-pandemic safe rooms.”

Alexis Soloski, The New York Times

“A hymn to female friendship. It’s exciting, this theater as jigsaw, and there’s satisfaction as each piece snaps together. Malouf infuses Novella with an unvarnished sensuality and a party-at-the-end-of-the-world abandon…Venturi’s Faith holds herself more tightly, a jittery presence still trying to juggle odds.”

Zachary Stewart, Theatermania, Editor's Pick

“We want to see more as the tension builds over 90 strange and fascinating minutes. Horror, comedy, and operatic majesty coexist on the same stage…breathtaking…it holds us rapt and slack-jawed.”

Sandy MacDonald, New York Stage Review

“A coup de theatre the likes of which we haven’t seen since Soho Rep’s An Octoroon in 2014. Welcome back to edgy avant-gardism! This intriguing production signals an all-clear: it’s time to emerge from our own post-pandemic safe rooms.”

Alexis Soloski, The New York Times

“A hymn to female friendship. It’s exciting, this theater as jigsaw, and there’s satisfaction as each piece snaps together. Malouf infuses Novella with an unvarnished sensuality and a party-at-the-end-of-the-world abandon…Venturi’s Faith holds herself more tightly, a jittery presence still trying to juggle odds.”